Summary


Introduction
Margaret Beissinger


Ch. 1:
Music, Dance, Performance: A Descriptive Analysis of Manele
Anca Giurchescu & Speranța Rădulescu


Ch. 2:
A History of the Manea: The 19th to the Mid-20th Century
Costin Moisil


Ch. 3:
How the Music of Manele is Structured
Speranța Rădulescu


Ch. 4:
Romanian Manele and Regional Parallels: "Oriental" Ethnopop in the Balkans
Margaret Beissinger


Ch. 5:
Actors and Performance
Speranța Rădulescu


Ch. 6:
The "Boyar in the Helicopter": Power, Parody, and Carnival in Manea Performances
Victor Alexandre Stoichita


Ch. 7:
Manele and the Underworld
Adrian Schiop


Ch. 8:
Village Manele: An Urban Genre in Rural Romania
Margaret Beissinger


Ch. 9:
Turbo-Authenticity: An Essay about "Manelism"
Vintilă Mihăilescu


Epilogue
Speranța Rădulescu

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Chapter 9:

Turbo-Authenticity: An Essay about “Manelism”

Vintilă Mihăilescu

This chapter treats the meaning of manele as part of a broader social phenomenon deeply rooted in post-totalitarian "decompression." The individual search for social re-positioning and "authenticity" in the loosely regulated but compulsively market-oriented space of manele is characterized by a "primitive accumulation of desire" that fuels a large variety of social practices and expectations. According to the author, it is this "manelized" society itself that engenders the mushrooming of manele, and not the other way around as canonically stated by most of the Romanian public elites.

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